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Blood, Booze & Betrayal

by Freelance Nun + Chivalrous Crickets

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  • Compact Disc (CD) + Digital Album

    Comes in a card case, with artwork by Tracy Cowart.

    Includes unlimited streaming of Blood, Booze & Betrayal via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $12 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more

     

1.
2.
Come all you fair and tender ladies Take warning how you court your men They're like a star on summer morning First they first appear and then gone again. Don't sing love songs you'll wake my mother She's sleeping here right by my side And in her hand a silver dagger She says that I can't be your bride. "All men are false," says my mother "They'll tell you pretty loving lies The very next evening they'll court another Leave you alone to pine and sigh." My daddy is a handsome devil He's got a chain five miles long On every link a heart does dangle Of another maid he's loved and wronged. Go court another tender maiden And hope that she will be your wife For I've been warned, and I've decided To sleep alone all of my life.
3.
4.
Tourdion 02:00
Quand je bois du vin clairet Ami tout tourne, tourne, tourne, tourne... Aussi désormais je bois Anjou ou Arbois. Chantons et buvons À ce flacon faisons la guerre Chantons et buvons Mes amis; buvons donc! Buvons bien là, buvons donc À ce flacon faisons la guerre En mangeant d’un gras jambon À ce flacon faisons la guerre. Translation: When I drink Bordeaux wine My friend, everything turns, turns, turns, turns... So from now on I'll drink Wine of Anjou or Arbois. Let's sing and drink: Let's declare war on that wine flask! Let's sing and drink My friends; let's drink, then! Let's drink well, let's drink then On this bottle, let us make war While eating a fat ham Let's make war on this flask.
5.
There was a lady in the north Aye, the roads and the landsy-o And she’s fallen in love with her father’s clerk Down by the greenwood sidey-o. She’s leaned her back against a thorn Aye, the roads and the landsy-o And there twa bonnie boys has she borne Down by the greenwood sidey-o. She’s ta’en with her little penknife Aye, the roads and the landsy-o And she’s twain t’ twa bonnie boys o’er their lives Down by the greenwood sidey-o. She’s buried them ‘neath the marble stay Aye, the roads and the landsy-o Then take the maiden to her father’s hame Down by the greenwood sidey-o. She’s looked out from her father’s hall Aye, the roads and the landsy-o And she’s spied the twa bonnie boys playin’ at th’ ball Down by the greenwood sidey-o. "O’ bonnie bairns, ga’en ye were mine" Aye, the roads and the landsy-o "I’ll clad ye up in silks so fine" Down by the greenwood sidey-o. "O’ cruel mother, when we were thine" Aye, the roads and the landsy-o "You did na prove to us so kind" Down by the greenwood sidey-o. "O’ bonnie bairns, come tell to me" Aye, the roads and the landsy-o "What kind o’ hell I’ll hae to gae" Down by the greenwood sidey-o. "Seven years a fish in the sea" Aye, the roads and the landsy-o "And seven long years a bud on the tree" Down by the greenwood sidey-o. "Seven years you’ll turn to the warnin’ bell" Aye, the roads and the landsy-o "And in seven years be doon into hell" Down by the greenwood sidey-o. Welcome, welcome, fish in the sea Welcome, welcome, bud on the tree Welcome, an’ turn to the warnin’ bell But God keep me ‘fraid o’ th’ flames o’ hell. There was a lady in the north... (Aye/Down/Welcome)
6.
Hame cam oure gudeman at e'en And hame came he: And there he saw a saddle horse Where horse should nae be "Oh! how's this? and what's this? And wha's may he be? How cam this horse here with-out the leave of me?" "Ye silly, blind, doited carl And blinder may ye be; It's but a bonnie milk-cow my minny sent to me." "Milk cow!" quo' he "Ay, milk cow," quo' she "O far hae I rid-den, and mickle hae I gaen But a saddle on a mil-cow saw I never nane."
7.
The first night that I come home So drunk I could not see I found three horses in my yard Where my horse oughta be Come here my pretty little miss Explain this thing to me Oh what do these three horses here Where my horse oughta be? You blind fool, you crazy fool Can't you never see? It's only three sweet milking cows My mammy sent to me Well I've traveled this world over Ten thousand miles or more But a saddle upon a milkcow's back I never did see before. The second night that I come home So drunk I could not see I found three coats hanging on the rack Where my coat oughta be Come here my pretty little miss Explain this thing to me How come three coats hanging on the rack Where my coat oughta be? You blind fool, you crazy fool Can't you never see? It's only a bedquilt My mammy sent to me Well I've traveled this world over Ten thousand miles or more Pockets upon a bedquilt I never did see before. The third night that I come home So drunk I could not see I found three heads laying on the pillow Where my head oughta be Come here my pretty little miss Explain this thing to me How come three heads laying on the pillow Where my head oughta be? You blind fool, you crazy fool Can't you never see? It's only three nice cabbage heads My mammy sent to me Well I’ve traveled this world over Ten thousand miles or more But a mustache on a cabbage head I never did see before.
8.
From a miracle witnessed above Galilee To the shores of Iberia stolen from sea To the watery alleys of traders and thieves As a gift between bishop and emperor Holy Prize of a foreign queen sent home again Clock in a silver glove swept up the Thames To the worship of thousands, benevolent fame To the memory of England, the Hand of St. James. Captured by Herod and put to the sword, His followers willed up their word to the Lord, They sailed to the banks of the bay of Biscay Wherein far away peace St. James’ body was laid. My sinews grew thin and I loosed from the bone Of the body for six hundred years I’d called home A Suebian tomb raider pried me a part And since I’ve been lost to my meadow of stars. The centuries flowed by like the watery ways That wind ever slowly through Venice’s maze, It’s there that I waited in desolate sleep Till another escorted me northward to keep. And what am I here for to ornate the hall Of a sooty dark castle encircled by walls? But hope come one night from a woman of worth Who spirits me west to a small island berth. Preferred by a lion through chivalry tame I found myself placed on the altar of fame While wayfarers walked the high road to St. James The islanders brought me their sick and their lame. (Eu son a man esquerda…) Now people come visit from far and from near Though I’ve been severed for five hundred years And I’m in my prime but I know from the past That a moment of might holds no power to last. From a miracle witnessed above Galilee To the shores of Iberia stolen from sea To the watery alleys of traders and thieves As a gift between bishop and emperor Holy Prize of a foreign queen sent home again Clock in a silver glove swept up the Thames To the worship of thousands, benevolent fame To the memory of England, the Hand of St. James.

about

Freelance Nun crosses its eclectic proclivities with Chivalrous Crickets’ Celtic & folk influences to devise a compilation of lurid musical pastimes. Our debut album features some of the more macabre stories of the English-speaking Atlantic from medieval times to the present, with murder ballads rubbing up against drinking songs, and medieval + folk tunes finding their way into a newly composed adventure from the point of view of a holy relic.

credits

released November 10, 2023

PERFORMERS
Tracy Cowart (composer, voice, harps, percussion), Fiona Gillespie (composer, voice, Irish flute & whistle), Caitlin Hedge, (voice, baroque violin) Paul Holmes Morton (banjo, baroque guitar, colascione, harmonica), Loren Ludwig (viola da gamba), Sian Ricketts (voice, recorders, douçaines), Spiff Wiegand (accordion, banjo, guitar, jaw harp, mandolin, percussion)

CREDITS
Produced by Ellie Sutherland, Charles Mueller, Tracy Cowart & Sian Ricketts. Engineered by Charles Mueller. Mastered by Mike Tierney. Recorded at The Carriage House and Tiny Panther Recording, 2020–2023. Published by BMI. Illustration by Randolph Caldecott. Cover art & design by Tracy Cowart.

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Freelance Nun Brooklyn, New York

Freelance Nun is a duo-collective led by Tracy Cowart & Sian Ricketts. Together they make interdisciplinary art that is unconstrained by time period, genre, or style.

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